The residence is in the Katsuyama-chiku hamlet and has a convenience store, restaurants, post office, elementary school and community center nearby. It is home to lakes Kawaguchiko, Saiko, Shojiko,and Motosuko at the foot of Mount Fuji, and attracts large numbers of visitors as a base of exploring Mt. The artist-in-residence program resumed in 2011 after a new residence and studio was established in Fujikawaguchiko Town, Yamanashi Prefecture.įujikawaguchiko Town, where the residence is located, has a population of approx. MI-LAB Committee was newly created by the Center in response to the many requests from overseas artists and printmaking instructors for the continuation of mokuhanga residencies after the Awaji City artist-in-residence program was discontinued. The Conference was attended by 108 artists from 22 countries, who engaged in an international and interdisciplinary exchange of information on the history, expressions, education, techniques and materials of water-based woodblock prints. In June 2011, the Center held its 1st International Mokuhanga Conference inKyoto and Awaji Cities, calling on former resident artists from the 13-year history of the residency program to take part. Participants experience mokuhanga to exprore new printmaking possibilities, to expans their technical means of expression, and for further innovation.įor the purpose of promoting the uniquely Japanese art of mokuhanga (water-based woodblock printmaking) internationally, the Center for the Science of Human Endeavor held annual open workshops for collaborative projects between artisans and artists from 1994 to 1997, with a four-year subsidy from Awaji City (former Tsuna Town), Hyogo Prefecture.įor 13 years from 1997 to 2009, the Center was commissioned by Awaji City to plan and execute a mokuhanaga residency program for overseas artists. Intended for artists engaged in creative work, education and/or study of printmaking in general. Participants master the basic of mokuuanga, creating three or more works during roughly month-long regidency. Basic Trainig Program (fee-based program) By doing so, programs aim to internationally promote water-based - which is also enviromentally friendly - woodblock printing, advance the training of domestic experts (in techniques, tools and materials) who support Mokuhanaga, contribute to the presavation of skills, and invigorate activities in the field of mokuhanga. A press is not required.The programs are designed to introduce participants to Mokuhanga (water-based woodblock printmaking) techniques and their history, cultural backgrounds, materials and tools, and provide opportunities for participants to create original water-based woodblock prints. These early prints were mostly one-color but had, sometimes, one or two additional colours. At first, it was used to print religious texts and by the 1500s, woodblocks became the preferred method of printing books. Woodblock printing came to Japan from China around the 8th century. It is very different from Western style woodcut that uses oil-based inks. Its also one that Japanese woodblock artists eventually mastered. Essential to this process are appropriate materials, including imported Japanese plywood (shina), waterbased pigments, washi and special brushes to apply the colour. Many printing variations are achievable with slight adjustments of water, use or not of rice paste, and local applications of pigment. Printing using a baren on Japanese washi papers with gouache pigments give mokuhanga it's pronounced characteristics: the colours are absorbed into the paper as a graphic stain thanks to the long fibres characteristice of washi. A waterbased printmaking method, mokuhanga involves planning a graphic image, transferring the outlines to one or more woodblocks, carving and printing it.Īn effective registration method using carved notches in the wood called "kento", ensures that the separated colours fall exactly where you want them. Today this technique is being explored by many contemporary printmakers. An example of an early Japanese print is shown Right. This traditional Japanese printing method emerged in the 17th century. Mokuhanga means 'woodblock print' in Japanese.
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